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Museum/arts/culture

Ara Pacis Museum

4.5 (10,477)$$ · Mid-range

The Ara Pacis Augustae - an intricately carved marble altar commissioned by Emperor Augustus to mark the peace of the early empire - is displayed inside a striking modern glass hall designed by American architect Richard Meier, completed in 2006. The pairing of ancient relief carving with contemporary architecture divided opinion when it opened but has become one of central Rome's more distinctive museum experiences. A 4.5 rating and maximum culture and must-see scores reflect its status as both an important ancient monument and a well-executed modern presentation, and the museum regularly supplements the altar with temporary exhibitions on painting and design. Its riverside location near Piazza del Popolo makes it an easy add-on to a walking day in the historic center.

✨ Reasons to go

  • 1The altar was commissioned by Emperor Augustus to commemorate the peace of the early Roman Empire.
  • 2The enclosing glass hall was designed by American architect Richard Meier and completed in 2006, the first new monumental structure built in Rome's historic center since fascist-era times.
  • 3The carved precinct walls depict mythological scenes and a procession of the imperial family.

💡 Good to know

  • 1Check what temporary exhibition is running, since it can be a strong draw on its own
  • 2visit in the morning or early evening for good natural light through the glass walls
  • 3it's a relatively quick visit, easy to combine with Piazza del Popolo.

⏱️ Typical visit

1h15

🕰️ Best time

morning, lunchtime, afternoon, early evening or evening

🚶 Walking intensity

Moderate walking

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Address

Lungotevere in Augusta, 00186 Roma RM, Italy · RomaGoogleApple
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Booking

Booking recommended

What people say

"Museo dell’Ara Pacis wraps three Romes around a single marble altar. Inside the glass hall, the Ara Pacis Augustae sits on its podium, precinct walls carved with myth panels, imperial family processions and dense vine scrolls that once advertised Augustus’ “peace” and prosperity. Labels and models remind you it once stood out on the Campus Martius, aligned with his mausoleum and an obelisk used as a giant sundial. The current enclosure is Richard Meier’s white-and-travertine pavilion from 2006, all big panes and north light, replacing Mussolini’s 1930s box that first rehoused the altar. Alongside the main hall, temporary exhibitions and evening projections turn a state altar from 9 BCE into a working city museum on the lungotevere."

Loo Yeo